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HELGA RITSCH

Artist. Lives in Soazza, in a beautiful village in the mountains on the south side of Grisons, Switzerland. There she works in her studio and gallery house that was built in 1633 for two Capuchin monks. In the garden there is a former stable, transformed by her into a tea house.

Studio, gallery, store and a tea house in Soazza/GR. Visits by appointment.
Studio, gallery, store and a tea house in Soazza/GR. Visits by appointment.
On show in the gallery: Exclusive tea set from black porcelain. All pieces hand thrown. One of a kind. 2022.
On show in the gallery: Exclusive tea set from black porcelain. All pieces hand thrown. One of a kind. 2022.
Now presented at gallery palü in Pontresina: New matcha tea bowls from porcelain and stoneware. All one of a kind. Hand thrown.
Now presented at gallery palü in Pontresina: New matcha tea bowls from porcelain and stoneware. All one of a kind. Hand thrown.
Vessel from white porcelain. 2022. sold
Vessel from white porcelain. 2022. sold
Now on show in my gallery in Soazza: Hand thrown vessel from black porcelain. One of a kind. 2023.
Now on show in my gallery in Soazza: Hand thrown vessel from black porcelain. One of a kind. 2023.
Matcha tea bowls from white porcelain. 2023. sold
Matcha tea bowls from white porcelain. 2023. sold
Tea set from white porcelain. 2/3. 2021. For the exhibition in Kyoto.
Tea set from white porcelain. 2/3. 2021. For the exhibition in Kyoto.
On show in the gallery in Soazza. Tea set from stoneware. Tenmoku. 2022.
On show in the gallery in Soazza. Tea set from stoneware. Tenmoku. 2022.
Matcha tea bowl from black porcelain. 2022. sold
Matcha tea bowl from black porcelain. 2022. sold
Vessel from black porcelain. 2023. sold
Vessel from black porcelain. 2023. sold
Studio scene.
Studio scene.
Edition ‘blackbeauty’. Launched in 2016. These are made in 2019 for B. sold
Edition 'blackbeauty'. Launched in 2016. These are made in 2019 for B. sold
Where you will find my space: Soazza/GR. January moon. 2023.
Where you will find my space: Soazza/GR. January moon. 2023.
Bowl from stoneware for the summer studio in Soazza in 2019. Sold
Bowl from stoneware for the summer studio in Soazza in 2019. Sold
Now on show in my gallery in Soazza: Hand thrown vase from stoneware. Red 1. One of a kind. 2023.
Now on show in my gallery in Soazza: Hand thrown vase from stoneware. Red 1. One of a kind. 2023.
Vessel from black porcelain. 2023. sold
Vessel from black porcelain. 2023. sold
Now on show in my gallery in Soazza: Hand thrown vase from stoneware. Red 2. One of a kind. 2023.
Now on show in my gallery in Soazza: Hand thrown vase from stoneware. Red 2. One of a kind. 2023.
August 2022. Soazza. Bowl from stoneware in one of the studio spaces. Hand thrown. One of a kind.
August 2022. Soazza. Bowl from stoneware in one of the studio spaces. Hand thrown. One of a kind.
Where you will find my space: Soazza/GR.
Where you will find my space: Soazza/GR.
Now on show in my gallery in Soazza: Group of hand thrown vessels. Stoneware. Black and red. One of a kind. 2023.
Now on show in my gallery in Soazza: Group of hand thrown vessels. Stoneware. Black and red. One of a kind. 2023.
On show in the gallery: New bowls from porcelain and stoneware. All one of a kind. Hand thrown.
On show in the gallery: New bowls from porcelain and stoneware. All one of a kind. Hand thrown.
Now on show in my gallery in Soazza:  New matcha tea bowls from stoneware and porcelain. One of a kind. Hand thrown. 2023
Now on show in my gallery in Soazza: New matcha tea bowls from stoneware and porcelain. One of a kind. Hand thrown. 2023
August 2022: Soazza. View from my studio house out into the world.
August 2022: Soazza. View from my studio house out into the world.
Tea bowls from stoneware with the craquele glazes of ‘pur’ from 2005. These are made in 2018. all sold
Tea bowls from stoneware with the craquele glazes of 'pur' from 2005. These are made in 2018. all sold
Vessel from stoneware. Tenmoku blu. 2022. sold
Vessel from stoneware. Tenmoku blu. 2022. sold
Tea set from white porcelain. 1/3. 2021. For the exhibition in Kyoto.
Tea set from white porcelain. 1/3. 2021. For the exhibition in Kyoto.

CONTACT

s t u d i o   h e l g a   r i t s c h

Studio
Gallery
Store
Tea house
Online shop

6562 Soazza
SWITZERLAND

By appointment:
ritsch@helga-ritsch.com

CURRENT EXHIBITION
PONTRESINA/CH Gallery Palü
Dec 20, 2022 – March 25, 2023
‘Nato a 600 m di altezza’

REPRESENTED
Gallery Essence Kyoto
KYOTO/Japan
Gallery Palü
PONTRESINA/Switzerland

CVBorn in Switzerland. Lives and works in Soazza/CH and in Zurich/CH.

1996 – bis : Founder and owner of ‘studio helga ritsch’
1995-2015: Founder and owner of ‘sprachzentrum’. Company sold in 2015.

Education:
2001-2006: Trained as a ceramist with Mathies Schwarze
1989-1995: University of Zurich: Phil I – German Philology/Art History/Philosophy
1986-1988: ETH Zurich: Architecture department

Working as an independent artist since 1996
Member of the Swiss Ceramics Association ‘swissceramics’

EXHIBITIONS (selection since 2017) 

Solo
2021 Kyoto, Japan: Gallery Essence Kyoto. Invited by and with Iron Artist Motomu Oyama.
2020 Soazza/GR, Switzerland: Covid-19 drama.
2019 Tokyo, Japan: Gallery ‘hetLaboatrium, . ‘Circle’
2018 Singapore: Brewin Design Office

 

Group
2023 Pontresina, Switzerland: Galerie Palü.
2022 Seoul, Korea: University of Fine Arts, 
2021 Zurich, Switzerland: Gallery Palü. Guest.
2019 Seoul, Korea: Gallery Lee Eugean, Affaire de coeur 5’.
2019 Milan, Italy: Palazzo Bovara,
2019 Geneva, Switzerland: Gallery Ormond Edition,
2018 London, Greatbritain:  HOSTEM, bluemountainschool . 
2018 Hongkong, China: U11. swiss design. 

2014 Zurich, Switzerland: Museum Rietberg

TABLEWARE DESIGNS

– 2016 Edition ‘blackbeauty’. Hand thrown plates, cups and bowls from black porcelain. Unglazed. Rims on the outside. With the black thread.
– 2012 Edition ‘snow’. Hand thrown plates, cups and bowls from white porcelain. Unglazed outside. Transparend glazed inside. With the red thread.
– 2005 Edition ‘pur.’ Hand thrown plates, cups and bowls from stoneware. Glazed in different delicate craquele glazes.

No orders.

PRESS  (selection only)

2021: Photostory in the print only magazine ‘The Influencer’

2019: Video by Fredrik Haren ‘Wondering in search of energy’

2017:  Ceramics Southern Africa, 09/2017 by Dr. Ronnie Watt

THOUGHTS ABOUT THE WORK

In April 1336, the poet and scholar Petrarca climbed Mont Ventoux in Provence together with his brother. He combined this first dated, culturally and historically relevant, alpine excursion with reflections on his inner life and the significance of art. The attraction of the mountains remains undiminished to this day.

The vessels by Helga Ritsch currently presented in the Gallery Palü were also created in a mountain environment. The artist has been working for over 20 years in the Misox, a valley in the south of the Grisons.
The immense scale and simultaneous tranquility of the mountain landscape allow a wide and free process of creation. The artist basically describes working and designing in the mountains as more independent and less purpose-bound than, for example, in an urban environment.

The actual design is accompanied by a thought process, a sketch in the head. During the subsequent work on the potter’s wheel, the vessel is shaped and then deliberately differentiated by consciously placed details. The subsequent coloring, if any, is neither particularly colorful nor decorative. The glaze proceeds from the form, not the color, always taking into account the formal influence it has on perception.

The resulting clear and simple works in porcelain or stoneware have an architectural character, are space-creating, and their exterior and interior forms engage in an ongoing dialogue. Helga Ritsch’s academic background in architecture and art history explains her thinking and working with surfaces and forms.

The artist sees the immediate environment as a metaphorical stage for her work. Although the vessels stand on their own, the not conclusively defined idea of the stage helps shape and guide perception – an exchange that has always interested Helga Ritsch and is often reflected in her designs.

The thread, that has been used for more than 20 years and is another leitmotif in her work, was 2017 aptly paraphrased by Art historian Dr. Ronnie Watt: “A powerful, though fragile decorative element, the thread is a visual and intellectual accent for a work, but at the same time integral to that form because it is anchored in it.”
However, it is in no way intended to become a design constraint; rather, it is consciously placed anew each time and is accompanied by an intellectual engagement with each vessel. The object character of the thread thereby questions the functionality, perhaps irritates and at the same time changes the perceived dimensionality.

In principle, Helga Ritsch does not define the function of her vessels. For her, this question remains intellectually unanswered and is never dictated by her. Her works are thought-provoking and border-crossers that reinterpret the ceramic craft.

Many of the artist’s vessels are created in the narrow Grisons mountain valley, but for exhibitions they move to the wider world to Tokyo, Seoul, Hong Kong, New York, London, Milan or Venice – and now also for the first time to the nearby Gallery Palü.
Grisons is big: The ceramic vessels from the Misox by Helga Ritsch are exhibited together with the paintings from the Engadine by Lukas R. Vogel in the same room – this makes the artist particularly happy!

Samira C. Ritsch, Art historian BA UZH. 2022. Gallery magazine palü.

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